One of the things that I’ve always loved about much of early progressive rock was not only how adventurous it was but also how damned heavy it could be. The music often had as much to do with Jimi Hendrix as it did with classical music. I ain’t talking about Yes’s flights of fancy or the pastoralism of Genesis but more along the lines of King Crimson’s angularity or even the early grittiness of Emerson Lake and Palmer. Yeah, I hear ‘ya, ELP??? Sure, just give a listen to that first album of theirs way back in 1970 and tell me that Knife-Edge, The Barbarian and Tank wasn’t some damned heavy shit! And heavy without being metal and often the heaviness came from the keyboards – mostly just Moog synthesizers and Hammond organs. The Italian bands from that era (remember Goblin?) also relied on keyboards to really knock you on your ass and many hard-core rockers from that era dug ELP as much as they loved Black Sabbath and Led Zeppelin. So why do I bring this up now? Well giving a listen to keyboardist Jason Rubenstein’s new album (and first in over 10 years), New Metal From Old Boxes has not only struck a heavy prog chord in me but has really made me realize how great it is to hear an all-keyboard album be one hell of a great and totally heavy instrumental experience.
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Also, check out this great review from Progarchy.